Presonus+Audio Technica Podcast Studio Kit with Mixer+Mics+Headphones+Boom Stands

Package: Presonus StudioLive AR8 8-Channel USB Digital and Analog Studio Recording Mixer + (2) Audio Technica AT2020 cardioid condenser microphone system + (2) Audio Technica ATH-M30X Professional Studio Monitor Collapsible Headphones + (2) Rockville Kick Drum/Guitar Amp Mic Stand + (2) Rockville RCXFM20E-B Black 20 Foot Nickel Plated Female to Male XLR Microphone Cable + Samson QH4 4-Channel Studio Monitoring Headphone Amplifier. Condition: BRAND NEW IN ORIGINAL PACKAGING. Entry Form must be received at PreSonus by November 1, 2018.

To print the rebate form. (1) Presonus StudioLive AR8 8-Channel USB Hybrid Live Sound/Studio Recording Mixer. (2) Audio Technica AT2020 Studio Recording Microphone-Cardioid Condenser Mic.

(2) Audio Technica ATH-M30X Professional Studio Monitor Collapsible Headphones. (2) Rockville Kick Drum/Guitar Amp Mic Stand, Steel Round Base+Fixed Boom+Rubber Pad. (2) Rockville RCXFM20E-B 20 Foot Female to Male XLR Mic Cable Black 100% Copper.

(1) Samson QH4 4-Channel Studio/Podcast Headphone Amplifier Amp 16 to 600 ohms. How to Set Up a Podcast in Under 60 Seconds.

Built by musicians, for musicians. StudioLive AR8 USB 8-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musicians mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus famous Class A preamps and three-band EQ.

Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD digital recorder. Stream program music wirelessly, using onboard Bluetooth. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances. All of the connections and controls you need.

StudioLive AR8 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the two mono channels and two stereo channels includes level control; a mic input with one of PreSonus prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get a monitor mix output with a dedicate bus for feeding a stage wedge, headphone amp, or in-ear system. Since the StudioLive AR8 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.

Plug guitars and basses directly into the mixer. Most mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the boardno direct box needed. Its inputs; its playback; its the Super Channel! Our unique Super Channel (stereo Channel 7/8) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channels unbalanced RCA and 1/8-inch stereo inputs, play stereo audio from the onboard SD recorder or from your USB-connected Mac or Windows PC. Have a song you want the rest of the band to learn? Record in the studio or at the gigwith or without a computer. Naturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. Its smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR8 USB mixer to your computer via USB 2.0, and you have an 8x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computerjust hit Record and go. Recording cant get much easier than this! Fly in backing tracks and play break music, too! Both the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. Use the SD recorder to play up to 32 GB of MP3 and.

WAV files for hours of program music or backing tracks without needing a computer. And dont forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to. Integrated software makes recording a snap.

PreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus Capture live-recording software, then edit in our award-winning Studio One® Artist DAW (recording and production software); both are included free.

Sweeten with digital effects for a polished, professional-caliber sound. To get a great mix, you need high-quality effects.

The StudioLive AR8 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor send, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). Its just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.

A complete solution thats compact, easy to use, and built for the road. Compact and built for the road, the StudioLive AR8 USB is an easy-to-use, all-in-one solution for audio mixing and recording.

With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems. Check it out now at your favorite PreSonus dealer! USB Hybrid Digital/Analog Studio Recording Mixer. 2 mono and 2 stereo channels, each with: Level knob, Pan, Mute, PFL solo. 1 stereo Super Channel Ch.

1 monitor bus with PFL solo. 1 stereo effects return with: Level knob, Dedicated monitor sends, Effects bypass footswitch jack. 4 balanced mic inputs with: Class A microphone preamp, Global 48V phantom power. Stereo Super Channel with: Stereo RCA inputs, 1/8-inch stereo input, Switchable SD/USB stereo playback, Bluetooth 4.1 input.

1 Balanced TRS monitor output. 1 Balanced TRS effects output. L/R Control Room outputs with level control.

Headphone output with level control. Highpass filter on every channel. 3-band semi-parametric EQ (Channels 1-6).

Stereo effects processor with 16 presets. 8x4 24-bit/96 kHz, USB 2.0 audio recording interface. Record every channel plus the main mix. Supports SD and SDHD formats up to 32 GB.

Studio One 3 Artist recording and production software (DAW). Mac OS X 10.8.5. Intel Core 2 Duo processor (Intel Core i3 or faster recommended). Windows 7 x64/x86 SP1 +platform update, Windows 8.1 x64/x86, Windows 10 x64/x86. Intel Core 2 Duo or AMD® Athlon X2 processor (Intel Core i3 or AMD Athlon X4 or faster recommended).

4 GB RAM (8 GB or more recommended). 30 GB hard-drive space (Studio One). Internal or external 7200 RPM storage drive highly recommended.

Monitor with 1366x768 resolution (high-dpi monitor recommended). Type: XLR Female, Class A.

Maximum Input level (unity gain): +22 dBu, ±1.0 dB. Gain Control Range: Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB +5 to +45 dB. Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB. Frequency Response to USB (Direct): 20 Hz to 40 kHz, +0.5/- 1.5 dB. S/N Ratio to Outputs (+4 dBu): 94 dB.

Gain, A-wtd: < 0.01%. EIN (+55 dB gain, 150 input, 20 Hz-22 kHz, A-wtd): < 128 dBu. Common Mode Rejection Ratio (1 kHz, +55 dB gain): 65 dB.

Phantom Power: +48V, ±3V, Global. Type: ¼ TS Female, Unbalanced, Hi-Z. Gain Control Range: 50 dB, ±1 dB (Unity to +50 dB). Frequency Response to USB (Direct): 20 Hz to 40 kHz, +0.5/-1.5 dB. Gain, A-wtd: > 105 dB dB.

Gain, unwtd: > 100 dB. THD+N (1 kHz, -1 dBFS, A-wtd): < 0.01%.

THD+N (1 kHz, -1 dBFS, unwtd): < 0.01%. Input Impedance: > 1 M. Type: ¼ TRS Female, Balanced. Gain Control Range: Mono Channels 50 dB, ±1 dB (-20 to +30 dB), Stereo Channel 50 dB, ±1 dB (-15 to +25 dB).

Frequency Response to USB (Direct): 10 Hz to 40 kHz, +0.5/-1.5 dB. S/N Ratio to Analog Outputs (+4 dBu): 94 dB. Input Impedance (Balanced): 10 k. Main, Control Room, Monitor, and FX Outputs. Type (Main Outputs): XLR Male, Impedance Balanced.

Type (Control Room, Monitor, FX Outputs): ¼ TRS Female, Balanced. Rated Output Level (Main Outputs): +24 dBu, ±1.0 dB. Rated Outputs Level (Control Room, Monitor, FX Outputs): +18 dBu. Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB. Dynamic Range (A-wtd): > 108 dB. THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd): < 0.01%. Type: ¼ TRS Female, Stereo, Unbalanced. Dynamic Range (A-wtd): > 103 dB. Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd): -85 dBu.

Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd): -80 dBu. Clip: -3.0 dB before clip (pre- or post-EQ). Low Cut: 100 Hz, -18 dB/Octave. Mid-Band Q: Fixed, 0.55. Host Interface: USB 2.0.

ADC Dynamic Range (Component): 114 dB. ADC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB. DAC Dynamic Range (Component): 114 dB. DAC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB. Internally Supported Sample Rates: 44.1, 48, 88.2, 96 kHz.

Jitter: < 80 ps RMS (20 Hz 20 kHz). Jitter Attenuation: > 60 dB (1 ns in => 1 ps out). Supported Media Format: FAT16 formatted SD card, FAT32 formatted SDHC card. Media Storage Capacity: SD card: 2 GB; SDHC card: 32 GB.

Recording File Format: Stereo WAV. Playback File Formats: Stereo WAV, MP3.

Sampling Rate (WAV): 44.1 kHz. Bit Depth (Recorded WAV): 24 bits. Height: 3.7 (95 mm). Audio-Technicas stringent quality and consistency standards set the AT2020 apart from other mics in its class.

Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers. The price/performance standard in side-address studio condenser microphone technology.

Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response. Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone. Fixed-charge back plate, permanently polarized condenser. 37 dB (14.1 mV) re 1V at 1 Pa. 144 dB SPL, 1 kHz at 1% T. 124 dB, 1 kHz at Max SPL. 74 dB, 1 kHz at 1 Pa. 48V DC, 2 mA typical. 12.1 oz (345 g). 6.38" (162.0 mm) long, 2.05" (52.0 mm) maximum body diameter.

Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8-16 threaded adapter; soft protective pouch. The M-Series ATH-M30x professional monitor headphones combine modern engineering and high-quality materials to deliver a comfortable listening experience, with enhanced audio clarity and sound isolation. Tuned for highly detailed audio, with strong mid-range definition, these versatile monitoring headphones are ideal in a variety of situations.

Designed primarily for studio tracking and mixing, they offer added features for increased portability, making them a great choice for field recording. More About the M-Series Headphones. Critically acclaimed M-Series professional monitor headphones deliver accurate audio and outstanding comfort, perfect for long sessions in the studio and on the go. Contoured earcups seal tight for excellent sound isolation, with minimal bleed. And the pro-grade materials are durable, yet comfortable.

Find out why online reviewers, top audio engineers, and cult followers agree, M-Series is an unmatched combination of audio and build-quality that gets the job done. Hour after hour, year after year. Audio Technica ATH-M30X Professional Studio Monitor Collapsible Headphones. Advanced build quality and engineering. 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils.

Tuned for enhanced detail, with excellent mid-range definition. Circumaural design contours around the ears for excellent sound isolation in loud environments.

Designed to excel for studio tracking, mixing and field recording. Voice Coil: Copper-clad aluminum wire. Frequency Response: 15 - 22,000 Hz.

Maximum Input Power: 1,300 mW at 1 kHz. Weight: 220 g (7.8 oz), without cable and connector. Cable: 3.0 m (9.8'), straight, left-side exit. Accessories Included: Protective carrying pouch, 6.3 mm (1/4) screw-on adapter. The RKDS is a multi-purpose mini mic stand.

The most popular use of these are for kick drum mic stands, but there are so many other amazing uses for these. They really come in handy for any amp or instrument that has to be on the ground.

You can use these to mic up a bass drum, kick drum, snare, guitar amp, or bass amp. (Certain bass players prefer to have a mic). These are also perfect for floor stage mics, as a desk mic, or for use on the dais table at parties and corporate events. Additional uses are for a stand-up bass, or for saxophone players (sitting).

There is so many ways these little stands come in handy. Our stand weighs twice as much as others on the market because these are super-sturdy and solid.

The RKDS has a 10.2 Steel Round Base with a rubber pad that eliminates unwanted noises. It has a 21.4 fixed boom arm that provides precise positioning for your mic.

The stand adjusts from 18.7 to 28.7. This bad-boy Weighs in at 6.6lbs! There is no better stand in its class at this price guaranteed! And we topped it off with a scratch-resistant powder coated finish so the stand looks beautiful for life! This uses a standard thread size of 5/8inch.

Rockville Kick Drum/Guitar Amp Mic Stand With Steel Round Base, Fixed Boom and Rubber Pad. Low profile height adjustable microphone stand for kick drums and guitar amps. Heavy-duty steel round base with rubber pad provide extreme stability. Fixed boom arm provides precise positioning. Booming length : 21.4 (54.5cm).

Height adjustment : 18.7"- 28.7" (47.5cm 73cm). Base Diameter : 10.2 (26cm). Weight : 6.6 lbs (3 kgs).

About Rockville Quality Control Procedures. The Rockville brand stands for Quality, Innovation and Value. All Rockville products go through the most rigorous quality control standards in the industry. Products go through months of extensive testing before they reach your hands. All user functions are tested and all internal components are tested for quality. Rockville makes products that are virtually un-breakable! Rockville is one of the only brands in its class to test every concept model for weeks or months before starting production. Once production begins, Rockville sends product engineers to their factory to quality control every line of production. During production every product is tested and on top of that Rockville goes the extra mile and has their high level product engineers do an additional quality control. They test a certain percentage of all products from the production line a second time to ensure that the quality meets their vigorous standards, and to make sure that there is never a batch of products with even a slight problem. All Rockville pro audio cables are made with 100% copper which boosts the efficiency of the cable.

There is nothing better than 100% copper. Most of the cheaper cables on the market do not use 100% copper, instead they make their cables with CCA (Copper Clad Aluminum). CCA cables do not perform on the level that 100% copper cables perform at. CCA will not conduct signals efficiently.

A 12 gauge CCA cable will not even perform as well as a 14 gauge 100% pure copper cable, which will in turn, affect the performance and longevity of your equipment. Rockville pays an inspection company to oversee the manufacturing of the product to ensure that we provide a 100% Oxygen Free Copper Cable (OFC).

Our OFC cables are less prone to oxidation, and will provide maximum signal transfer. The other important factor of a cable is the shielding. Most of the good brands on the market have about 85% shielding coverage, so we decided to take our shielding a step further.

Rockville cables are shielded with a tight copper mesh, covering 90% of the cable! The high percentage of coverage increases the ability to absorb the Electromagnetic Interference (EMI) and Radio Frequency Interference (RFI) that suppresses signal and degrades the performance of equipment. Rockville Cables copper shielding provides great flexibility, maintains a durable structural integrity, while decreasing signal interference ensuring enhanced signal clarity with every use. Rockville RCXFM20E-B Black 20 Foot Nickel Plated Female to Male XLR Microphone Cable. XLR Connectors with Internal Strain Relief for Rugged Reliability. 100% Copper Conductors for Enhanced Signal Clarity. 90% OFC Spiral Shield for Effective EMI and RFI Rejection and Flexibility. You've positioned your microphones, set your levels and everyone's ready to record. Now, you need a way for each performer to hear themselves. That's where the Samson QH4 comes in... The QH4 is a 4-channel headphone amplifier designed to distribute your audio to up to four individual headphones, each with its own volume control. Its compact design is perfect for use with any studio or desktop workstation, as well as with your laptop or smartphone when you're recording on the go. And Out The QH4 features two balanced 1/4" inputs to connect with your mixer or recording interface, as well as a stereo 1/8" Aux input that's perfect for playing music via your smartphone or another line level device. In addition to the four stereo 1/4" headphone outputs, the QH4 provides a 1/8" Aux Out that can be used to daisy chain mutilple QH4s together. The four independent high-power amplifier channels deliver clean, crisp audio to up to four sets of headphones, operating between 16600. And power does not diminish even when all four channels are being used. Engineered with an ultra-low noise floor and wide dynamic range, the QH4 is a tremendous value compared to other headphone amplifiers on the market. Also, the QH4's Master volume control and Mute switch make controlling the overall level of your headphones a breeze. Check Your Phase Before bouncing your mix, you should always check to ensure that it's compatible with mono speaker systems. The QH4 features a global Mono button, which allows you to quickly check the mono compatibility of your tracks. If you notice that some of your audio is missing, you should check the phase of your recordings. This feature also allows you to take a split left and right feed from a stereo interview and send both tracks to each side of your headphones. This is great for quickly monitoring a podcast or recording with split tracks. Whether you're tracking multiple performers in a studio, recording a podcast, watching a video with friends or just kicking back listening to some tunes, the QH4 provides great sound at an amazing value. SAMSON QH4 4-Channel Stereo DJ Studio Monitoring Headphone Amplifier Amp.

4-channel stereo headphone distribution amplifier. Four independent 1/4 stereo headphone channels. Individual volume control on each headphone channel.

Two balanced 1/4 input connectors. Stereo 1/8 Aux input and output. Master Mute and Mono-summing switches. Inputs: 2 x 1/4" balanced, stereo 1/8" unbalanced TRS.

Outputs: 4 x stereo 1/4" unbalanced, stereo 1/8" unbalanced TRS. Controls: Master volume, master Mute, master Mono, 4 x Channel volume.

Noise Floor: -114dBu, 22k BW unweighted. Maximum Output: 8.3 dBu, 1% THD+N, loaded 16R. Dynamic Range: 22dB, 22k BW.

If your item is defective or you want to return it for any reason within the first 30 days of when it was delivered to you; you have the following options. We will send you a. To replace the item for a brand new one. All replacements and exchanges are free. This includes blown speakers with burned voice coils.

Item Code: SLMAR8+AT2020+ATH-M30X BROAD 6. The item "Presonus+Audio Technica Podcast Studio Kit with Mixer+Mics+Headphones+Boom Stands" is in sale since Thursday, August 30, 2018. This item is in the category "Computers/Tablets & Networking\Laptop & Desktop Accessories\Microphones".

The seller is "audiosavings" and is located in Inwood, New York. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, Ukraine, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica.

• Brand: PreSonus
• MPN: SLMAR8+AT2020+ATH-M30X BROAD 6
• UPC: 613815835769
• Analog/Digital: Analog & Digital
• Powered/Non-Powered: Non-Powered
• Suited For: Studio/Recording
• Inputs/Outputs: Analog XLR Out
• Number of Channels: 8
• Number of Buses: 2
• Number of Mic Inputs: 4
• Number of Line Inputs: 8
• Model: SLMAR8+AT2020+ATH-M30X BROAD 6
• Connectivity: Wired
• Features: 3-Band Equalizer
• Bundle Listing: Yes
• Country/Region of Manufacture: China
• Microphone Form Factor: Handheld/Stand-Held
• Wireless Technology: Not Applicable